Ray Chenez

Countertenor

"Ray Chenez's countertenor is bold and assertive, but also warm-toned and luxurious. He has a naturally electric presence, and his diction is precise no matter how high he sings." - Opera News

 


EN | FR | DE

Ray Chenez was featured in Opera News as one of the next generation’s rising stars of opera, stating “Ray Chenez’s countertenor is bold and assertive but also warm-toned and luxurious. He has a naturally electric presence, and his diction is precise no matter how high he sings.” Winner of the 2014 George London Award, he is in demand worldwide and has been called “luxury casting” by the New York Times, having “excellent connection to text, superb vocal control and spotless diction” by Opera News, and having a “dramatic soprano voice which oozes potential” by Opera Britannia.

In the 2016-17 season he makes his role debut as Nerone in Monteverdi’s L’Incoronazione di Poppea (Theater Bielefeld), debuts the role of Hunahpù in Purcell’s The Indian Queen under the baton of Teodor Currentzis (Grand Théâtre de Genève, Kölner Philharmonie, Die Glocke - Das Bremer Konzerthaus, Konzerthaus Dortmund). He reprises the roles of Nutrice and Amore in Luigi Rossi’s Orfeo (Opéra National de Bordeaux, Théâtre de Caen, Opéra Royal de Versailles), and makes his London debut as Olinto in Hasse’s Demetrio (Cadogan Hall).

Ray Chenez made his highly successful European debut in the role of Marzia in Leonardo Vinci’s Catone in Utica alongside Max Emanuel Cencic and Franco Fagioli (Opéra Royal de Versailles, Hessisches Staatstheater Wiesbaden, Theater an der Wien, Bergen International Festival, George Enescu Festival). Additional roles in recent seasons include Nutrice and Amore in Luigi Rossi’s Orfeo under Raphaël Pichon (Opéra Royal de Versailles, Opéra national de Lorraine); Athamas in Handel’s Semele under Stephen Stubbs (Opera Omaha); Cherubino in Le nozze di Figaro (Pacific Opera Victoria, Nickel City Opera); Achille in Luigi Cherubini’s Ifigenia in Aulide (Mainfranken Theater Würzburg); and the Sorceress in Purcell’s Dido and Aeneas (Lincoln Center).

In concert in the 2015-16 season, he made his Carnegie Hall debut in Bernstein’s Chichester Psalms, which he also performed with the Arkansas Symphony. He performed a solo concert featuring Vivaldi’s Nisi Dominus with Mercury: The Orchestra Redefined. In past seasons he has performed the concert repertoire of Vivaldi, Handel, Bach, and Bernstein.

Ray Chenez was born in the town of Lockport, NY (USA), and completed his vocal studies at the State University of New York at Fredonia and Florida State University. He was a studio artist with Opera Santa Barbara in California, where he covered the title role in Gluck’s Orphée et Eurydice. He is a winner of the 2014 George London Award, the Metropolitan Opera National Council District Auditions, and many other competitions.